Junto Boys

A History of Violence (A Movie Review)

Viggo Mortensen has an impressive range. Having recently seen him as the no-good brother in Sean Penn’s INDIAN RUNNER, you would think he would be forever typecast as the loser. Here he plays the mild-mannered husband, father and small businessman and he plays it note perfect. When his restaurant is invaded by gunmen, his defeat of those thugs is a great heroic movie moment. As the rest of the movie unfolds, Viggo’s range is tested as he reveals more of his true self. He should have been nominated.

Unlike other movies based on graphic novels such as Sin City, and The Road to Perdition, a History of Violence doesn’t have that overly stylized art direction that takes you out of the realness of the story. Cronenberg makes up for this by inventing his own things to take you out of the story. For instance, Maria Bello and Viggo Mortensen by their actions do not seem to have been together long enough to have produced a high school aged son. There is some sort of excitement between them that exists in the world of newness. It seems like he is just recently in her life or he just returned from war.

When the violence heats up, we expect as an audience to see some gore, but sometimes the gore we see is stylized in the slasher movie mode instead of the cops and robbers mode. It draws too much attention to that style and leads you away from the act.

But the only truly groaning preposterous part of the film is the affectedness of William Hurt’s performance. Of course, Hurt made his career playing the driest of leading men and his attempt to give a character some spice is so offbeat and comic it just doesn’t match the action happening simultaneously.

The last thing, though minor, is that the son overcomes a bully we're to believe because he is the son of Viggo and inherited the same prowess. The only problem is that the actor that plays the son isn't quite right for the kind of transformation and it seems forced rather than natural.

For all I know maybe these are elements of graphic novels that fans have long ago forgiven or even expected, but this was actually a good idea and a more decent story than the average movie and I think that those certain elements detract from the overall result.

It’s a bubble film for me. Sometimes I watch these movies again and they grow on me enough that I forgive the imperfections. Other times, the imperfections scream louder subsequent times and I write them off. I’m wondering where this one will take me.

I've seen FORREST GUMP on TV a few times in the last couple of years, and though it was a movie that I critical of the time, especially Hanks voice choice for the character, I have since come to admire and enjoy it. Go figure.