I haven't read the DaVinci Code, but Ebert takes a couple of swipes at it in his review of NATIONAL TREASURE. The film also gets some harsh words.
That I have read the book is not a cause for celebration. It is inelegant, pedestrian writing in service of a plot that sets up cliff-hangers like clockwork, resolves them with improbable escapes and leads us breathlessly to a disappointing anticlimax. I should read a potboiler like The Da Vinci Code every once in a while, just to remind myself that life is too short to read books like The Da Vinci Code.
The Da Vinci movie, set for 2005, will be directed by Ron Howard, who should study this one for clues about what to avoid. The central weakness of the story is the absurdity of the clues, which are so difficult that no sane forefather could have conceivably believed that anyone could actually follow them. That the movie's hero, named Benjamin Franklin Gates and played by Nicolas Cage, is able to intuitively sense the occult meanings of ancient riddles and puzzles is less a tribute to his intelligence than to the screenplay supplying him with half a dozen bonus A-ha! Moments. An A-Ha! Moment, you will recall, is that moment at which a movie character suddenly understands something which, if he did not understand it, would bring the entire enterprise to a halt.
No comments:
Post a Comment