Junto Boys

PAUL McCARTNEY IN CONCERT (Review of his 9-17-05 performance in Tampa, FL)

Paul McCartney ended the US leg of his 2002 tour in Florida and in 2005, he began here. I hadn’t thought that would be significant, but McCartney and band were so sharp in Tampa in 2002 that it was a phenomenal experience. So much so, that I talked Brother John into driving down to Fort Lauderdale to see him again. Now neither Sir Saunders nor I had ever seen him in concert before, so that would certainly lead to good feelings, but the second time in South Florida was maybe even a bit better, it was certainly no worse. Last night the band seemed a bit off and since it was only the second night of the tour it played more like an extended rehearsal.

Later when a portion of centerstage lowered so that the crew could roll a piano on, Paul was still unsure enough of his blocking that he accidently rode it down to the bottom joking that it got a big enough laugh that maybe he would keep that gag in the show.

Last time the show began with a sort of operatic costume procession through the audience. He must have had 50 people dressed and marching up to the stage. It didn’t serve much purpose but it gave us something to look at while people took their seats. This time it began with a DJ on stage playing dance versions of more obscure McCartney solo efforts. From there it showed an interesting biography of Paul beginning with air raids over Liverpool when Paul was born. I had never thought about how being born during the war might have shaped all the Beatles and their surroundings. The problem with the documentary was that the sound was too loud to the point of distortion in places. The speakers were geared to rev up over the crowd noise during music, but the fans were quiet here and the knob was on eleven.

McCartney and band began the concert with MAGICAL MYSTERY TOUR which is a good number but it seemed a bit flat. It certainly didn’t match his introduction last time with HELLO/GOODBYE. His second song was a poor choice too, something from the album released on Tuesday that no one has heard. The crowd wasn’t quite invigorated enough by MAGICAL MYSTERY TOUR and it brought them down having to listen next to something that they didn’t know.

It’s interesting what Paul chooses to sing considering he has such a wide catalog. How many singers could play 2 ½ hours and not get to some of their #1 hits? Of course, I can understand his not wanting to play SAY, SAY, SAY and EBONY AND IVORY. But on neither tour did he play UNCLE ALBERT/ADMIRAL HALSEY, SILLY LOVE SONGS or WITH A LITTLE LUCK. Thankfully, he played one of my non-charting favorites both times, LET ME ROLL IT.

He tried a few “new” old songs this time among them the interesting “TOO MANY PEOPLE” from the underrated RAM album. He also did “HELTER SKLETER” during the second encore. I had read that those two songs were at the top of a poll of what fans wanted to hear him play.

During his playing of the melodic “I WILL” he accidently skipped ahead and sang

“Love you whenever we're together
Love you when we'r e apart”,

before singing

“Love you forever, and for ever
Love you with all my heart”

He stopped himself before the second verse and joked that he wrote the song a long time ago.

He also explained that the last shuttle crew was awoken with the song “GOOD DAY SUNSHINE” on the day of their return. He played the intro audio from ground control leading into his playing the tune himself. After the song he said very boyishly proud way, “Imagine if they chose your song to play to the astronauts.” Songs like GOOD DAY SUNSHINE really separated Paul from the hippy part of the 60s. Sure he did his experimenting like the rest of them, but his life affirmative songs were really in direct contrast to a more ambivalent culture.

I was also happy to hear “GOT TO GET YOU INTO MY LIFE” a song that actually charted 5 years after the band broke up. I can easily imagine that an average sixties band could have made a whole career out of a song like that, much like the RASCALS did with “GOOD LOVIN’.” Here it’s one more in the catalog.

We all have our tastes. The first Beatles album I had was the 20 Greatest Hits and I played it over and over. So now I’m more tired of the big songs and yearn for the obscure stuff. Still, I could hear songs like GET BACK and LET IT BE endlessly, but PENNY LANE, ELEANOR RIGBY and LONG AND WINDING ROAD get boring to me. Even YESTERDAY wears thin with me nowadays.

He didn’t plan a lot of early British Invasion tunes this time. We did hear PLEASE, PLEASE ME and I’ll GET YOU though. He also sang that cover from the Music Man, “’Til there was you.” explaining that he use to sing it in Cabaret clubs long ago. He also sang a cover of what he called the first recorded Beatles song that predated even Pete Best and Stu Sutcliffe. I don’t remember the name though I have heard someone else sing it. The band contained a guy named Duff that I had never heard of and another guy I didn’t remember.

DRIVE MY CAR was the only number from RUBBER SOUL album, but I guess that record was dominated by Lennon songs like IN MY LIFE and NORWEGIAN WOOD.

He seems to love his work from REVOLVER because we heard FOR NO ONE in addition to RIGBY, GOT TO GET YOU INTO MY LIFE, and GOOD DAY SUNSHINE.

He’s 63 now so I wonder what singing a song like WHEN I’M 64 is like for him. He didn’t try it last night.

A few moments reached the heights of 2002, including HEY JUDE where Paul has the crowd sing the chorus. It’s amazing that so many people singing together can sound that good. I thought the biggest crowd pleaser was BAND ON THE RUN, especially the change from “If we ever get out of here” to “The rain exploded with a mighty crash.” That change brought people to their feet including me.

The concert ended the same way as the previous one with the reprise of SGT PEPPER and THE END from Abbey Road. After the standing ovation, Paul went to the mic and said “See you Next Time.”

Having seen him twice already I wasn’t committed to going again this time. The concert sold out the first day and I didn’t get any tickets. I did win some on an EBAY auction in May, but the cheep chiseler didn’t send the tickets. I had to go through PAY PAL to get a refund minus $25. I decided that it was probably a sign that I didn’t need to hear him again. About a week ago, fellow McCartney fan, James Cheshire told me that rumors were circulating that he was going to sing some non-Paul Beatles songs. That became an intriguing reason to see the concert. I thought that hearing Paul sing things like TICKET TO RIDE, HELP, COME TOGETHER, WITH A LITTLE HELP FROM FRIENDS or YELLOW SUBMARINE would be unique. Of course, the rumors about the play list were unfounded, but I did get a heck of deal on tickets.

I had originally won two seats in the third deck. It was far enough behind the stage that I wouldn’t have been able to see the screen. I was lucky he was a crook. This time I bought the tickets in an EBAY fire sale the day before the concert and got seats in the first deck with a good view of everything. The seller really took a bath on them. I paid $142 (about the same price as the others) for a pair of tickets that cost over $300 face value if you count the convenience charge and taxes.

I go through periods of listening to music, but unlike most people I know, I go through periods of being tired of music for long stretches. At certain times of year, I’ll forgo music entirely to watch movies and listen to talk radio. I don’t go to concerts very often. I’ve seen 5 or 6 (when I wasn’t working it) in my life and I haven’t been to one since McCartney last played here. My going to see McCartney in concert is like how people who avoid art museums might change their minds to see a touring Van Gogh exhibit. Or like how my friend Dan, though hostile to basketball bought tickets to see Michael Jordan’s last game in Orlando. People make exceptions to their usual rules when greatness is involved.

Although, I liked the 2002 concert better, I would recommend seeing this tour as it comes through America this year. It might be the last chance to see one of the greatest artists of the 20th century.